Same model · whole performance · unapproved
From the
first note.
The earlier full piece still started with the old guitar; its new model appeared only in the solos. B now uses one continuous six-string model for every lead note.
Same 248 written notes, tempo, form and backing. The theme’s audio is newly synthesized, not its melody rewritten. This is still a reduced, unapproved instrument—not proof of convincing tone.
Full piece · with the band
Guitar only
Scope corrected, not realism proven
Nothing in A or the older takes is replaced. B uses the same model, pickup calibration and amp chain over the opening, both solos, returning theme and ending. No old guitar PCM is blended into B; bass and drums remain fixed.
One constant full-track guitar gain matches integrated loudness. There is no individual-note or section-level normalization, new bus processing, sampled instrument or paid API.
The scheduled bilateral contacts, provisional body/hand parameters and missing collision, bending stiffness and polarization physics remain. Listening judgment is still needed.
Unchanged model source · Whole-performance states · All-note pitch checks · Preservation and levels · Source recipe and limits